Copyright and Other Fairy Tales

Copyright and Other Fairy Tales

Hans Christian Andersen and the Commodification of Creativity

Edited by Helle Porsdam

The present state of copyright law and the way in which it threatens the remix of culture and creativity is a shared concern of the contributors to this unique book. Whether or not to remain within the underlying regime of intellectual property law, and what sort of reforms are needed if we do decide to remain within this regime, are fundamental questions that form the subtext for their discussions.

Chapter 7: Should the Logic of ‘Open Source’ be Applied to Digital Cultural Goods? An Exploratory Essay

Lee Davis

Subjects: law - academic, intellectual property law


Lee Davis INTRODUCTION While digitization has affected all forms of intellectual property rights (IPRs) – patents, trademarks, copyrights, and the like – its strongest impact has been felt in the copyright industries. For example while patent protection has been extended to cover many inventions in software and software-implemented business methods, most patented products (such as drugs, chemicals, electronic circuits and machines) have retained their physical form. Similarly, while the trademark system has been the focus of bitter conflicts over the rights to use particular marks as Internet domain names without confusing and misleading customers, most trademarked products (such as automobiles, soft drinks, cereals and perfumes) have remained physical as well.1 In industries where copyrights are important, digitization has affected every form of innovation, in terms of both the underlying technology used to produce them, and the inventions themselves. Software programs are the most obvious example. But almost all cultural works, including paintings, literature, recorded music, TV broadcasts, films and video games, can now be expressed in virtual form. These works can be transmitted over the Internet, easily accessible to anyone, anywhere, around the world, readily altered by the click of the mouse. Not only have the copyright industries grown extremely rapidly in recent years, but pervasive digitization has also challenged the foundations of copyright law. One result has been an increased interest in the economic role of copyrights, either specifically (Landes and Posner 1989), or in the context of a comparative analysis of the different forms of IPRs (for example Besen and...

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.

Further information