Table of Contents

Handbook on the Digital Creative Economy

Handbook on the Digital Creative Economy

Elgar original reference

Edited by Ruth Towse and Christian Handke

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.

Chapter 26: Orphan works

Fabian Homberg, Marcella Favale, Martin Kretschmer, Dinusha Mendis and Davide Secchi

Subjects: economics and finance, cultural economics, intellectual property, innovation and technology, intellectual property, technology and ict, law - academic, intellectual property law

Extract

Orphan worksí are works in which copyright still subsists, but where the rightholder, whether that be the creator of the work or successor in title, cannot be identified and located (US Register of Copyrights, 2006). In such cases a potential user cannot be sure if the rightholder would reject a licence for this particular use or if the work has just been abandoned by its creator (Mausner, 2007). This creates a challenge for copyright law. If the envisaged use, such as making a work available online, required permission, and such permission is lacking, the user may face claims of infringement. In addition, where the work includes subject matter protected by related rights (such as performances, films, sound recordings, broadcasts and databases), often consisting of several overlapping rights, permission is required from several different rightholders. The orphan works issue is not a minor legal difficulty. Regulatory intervention has been justified by the ënew sources of discoveryí made possible by large digital libraries (Directive of the European Parliament, 2012/28/EU: Recital 1). The UK Hargreaves Review (Hargreaves, 2011: 38) states: ëThe problem of orphan works ñ works to which access is effectively barred because the copyright holder cannot be traced ñ represents the starkest failure of the copyright framework to adapt.í Solutions appear to require that the copyright status be ascertained and priced with regard to each potentially orphaned artefact contained in a work, in order to ensure legal certainty within a jurisdiction.

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