The Sale of Misattributed Artworks and Antiques at Auction

The Sale of Misattributed Artworks and Antiques at Auction

Anne L. Bandle

The glamour and mystery of the art auction, gathering interested buyers from across the globe, makes it one of the most fascinating marketplaces in existence. ‘Sleepers’, artworks or antiques that have been undervalued and mislabelled due to an expert’s oversight and consequently undersold, appear regularly. This fascinating new book provides the first extensive study of the phenomenon of sleepers through an in-depth analysis of the contractual relationships, liability and remedies that arise in the context of auction sales.

Chapter 6: Interim conclusion

Anne L. Bandle

Subjects: law - academic, arbitration and dispute resolution, commercial law, law of obligations, private international law, law -professional, commercial law


The national laws studied in Part II do not all accommodate the auctioneer’s and the consignor’s needs in selling artworks and antiques at auction. In particular, there is authority suggesting that Swiss law does not allow the auctioneer to contract for the account of an unnamed principal. In order to protect the consignor’s anonymity, scholars argue that the auctioneer is required to enter into the sale contract with the purchaser himself. Common law jurisdictions are much more favourable to client confidentiality and explicitly protect the purchaser’s anonymity in art auction sales, as expressed in the 2013 Regulations under English law, and the New York decision William J. Jenack Estate Appraisers and Auctioneers, Inc. v Albert Rabizadeh. Under all three jurisdictions, the applicable law allows the auctioneer to act as agent to both the consignor and the purchaser. This situation of dual representation presents conflict of interest issues that might potentially arise.

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