Table of Contents

Handbook of Creative Cities

Handbook of Creative Cities

Elgar original reference

Edited by David Emanuel Andersson, Åke E. Andersson and Charlotta Mellander

With the publication of The Rise of the Creative Class by Richard Florida in 2002, the ‘creative city’ became the new hot topic among urban policymakers, planners and economists. Florida has developed one of three path-breaking theories about the relationship between creative individuals and urban environments. The economist Åke E. Andersson and the psychologist Dean Simonton are the other members of this ‘creative troika’. In the Handbook of Creative Cities, Florida, Andersson and Simonton appear in the same volume for the first time. The expert contributors in this timely Handbook extend their insights with a varied set of theoretical and empirical tools. The diversity of the contributions reflect the multidisciplinary nature of creative city theorizing, which encompasses urban economics, economic geography, social psychology, urban sociology, and urban planning. The stated policy implications are equally diverse, ranging from libertarian to social democratic visions of our shared creative and urban future.

Chapter 12: Scenes, Innovation, and Urban Development

Dan Silver, Terry Nichols Clark and Christopher Graziul

Subjects: economics and finance, urban economics, geography, cities, economic geography, innovation and technology, innovation policy, urban and regional studies, cities, urban economics, urban studies


Daniel Silver, Terry Nichols Clark and Christopher Graziul This chapter investigates the consequences of local ‘scenes’ for urban development. It treats the particular constellation of amenities in a place – cafes, galleries, pubs, music venues, fashion houses, dance clubs, antique shops, restaurants, fruit stands, convenience stores and the like – as constituting the local scene. These constellations of amenities define the scene by making available an array of meaningful experiences to residents and visitors. Scenes give a sense of drama, authenticity and ethical significance to a city’s streets and strips. Depending on its particular configuration of amenities, a vibrant scene can transform an urban area into a theatrical place to see and be seen (glamorously, transgressively or in other ways), an authentic place to explore and affirm local, ethnic or national identities (among others), an ethical place to share and debate common values and ideals (such as tradition or self-expression). The availability of these experiences varies substantially across and even within cities and regions. These variations have significant consequences for urban economies and populations. This chapter proposes several hypotheses and analyses about scenes as one factor that contributes to ‘creative cities’. It situates these propositions within a broader universe of ideas about the significance of creativity. First, it offers a brief overview of the processes involved in what we call the institutionalization and internalization of creativity. This is a process whereby creativity moves from the margins to the centre of basic conceptions of human action, bringing with it special attention to the...

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