Orphan Works
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  • Corbett, Susan (2016), ‘Digital v Analogue: Reconceptualising the Orphan Works Problem for Cultural Heritage Institutions’ in Jessica C. Lai and Antoinette Maget Dominicé (eds), Intellectual Property and Access to Im/material Goods (Edward Elgar) 289, 291.

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  • Corbett, Susan (2019), ‘Archives, Museums and Copyright Law: Reconciling the Traditional with Contemporary Practices50(4) Victoria University of Wellington Law Review 587, 588590.

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  • Intellectual Property Office (IPO) (2017), ‘Guidance Note: Copyright in Pseudonymous and Anonymous Works’ (2nd edn) https://www.digitisingmorgan.org/resources accessed 14 July 2022.

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  • Intellectual Property Office (IPO), Orphan Works Overview for Applicants (4 January 2021) https://www.gov.uk/government/publications/orphan-works-overview-for-applicants/orphan-works-licensing-scheme-overview-for-applicants#orphan-works-licence-standard-terms-and-conditions accessed 15 July 2022.

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  • Martinez, Merisa and Melissa Terras (2019), ‘“Not Adopted”: The UK Orphan Works Licensing Scheme and How the Crisis of Copyright in the Cultural Heritage Sector Restricts Access to Digital Content5(1) 36 Open Library of Humanities, DOI: https://doi.org/10.16995/olh.335 accessed 14 July 2022.

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  • Oppenheim, Charles, Adrienne Muir and Naomi. Korn (2020), Information Law: Compliance for Librarians, Information Professionals and Knowledge Managers (Facet).

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  • Pallante, Maria A. (2015), Orphan Works and Mass Digitisation: A Report of the Register of Copyrights (United States Copyright Office).

  • Schroff, Simone, Marcella Favale and Aura Bertoni (2017), ‘The Impossible Quest—Problems with Diligent Search for Orphan Works48 International Review of Intellectual Property and Competition Law, 286304 https://doi.org/10.1007/s40319-017-0568-z accessed 14 July 2022.

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  • Suthersanen, Uma and Maria Mercedes Frabboni (2021), ‘The Orphan Works Directive’ in Irina Stamatoudi and Paul Tolleman (eds), EU Copyright Law (2nd edn, Edward Elgar), s. 13.02.

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