The chapter discusses globalised culture flows from a bottom-up, empirically grounded perspective of musicians moving and mixing in transnational fields. This privileges the mobilities of artists whilst not neglecting artistic form, creations and productions. The first section shows the ways in which migration of people and musical forms has given rise to many new musical creations. The second foregrounds musicians as a sub-section of people on the move, arguing the case for transnationalism as the most appropriate theoretical frame The chapter also underlines the need for combining research of internal migration within a country with research on international, cyclical and return migration between localised places and countries. It highlights the advantages of a transnational perspective on individual artists’ movements, arguing that movements and encounters of individual artists put into focus both the inequalities and barriers erected against migrants, as well as the possibility of a strategic activation of their transcultural capital.
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