This chapter provides a detailed overview of some of the main attempts to develop an international framework for the protection of folklore through copyright. By tracing the development of international protection for folklore back to the early 1960s, I attempt to contextualise the current work of the World Intellectual Property Organisation (WIPO)’s Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC), which remains focussed on forming a workable international instrument. I aim to unpack the reasons why such an instrument was originally pursued and why it continues, despite the many complexities associated with the protection of folklore. Finally, given that many states, particularly in the global South, do provide protection for their folklore, this chapter attempts to provide a sense of the current imbalance in copyright protection between jurisdictions that the absence of an international standard permits.
Institutional Login
Log in with Open Athens, Shibboleth, or your institutional credentials
Personal login
Log in with your Elgar Online account
-
Front Matter
-
PART I: SETTING THE SCENE: WHAT IS INTELLECTUAL PROPERTY AND WHY IS IT RELEVANT TO CREATIVE INDUSTRIES
-
PART II: NATIONAL AND REGIONAL PERSPECTIVES
-
PART III: INTELLECTUAL PROPERTY, CREATIVITY AND REWARD: SHARING AND ENFORCEMENT
-
PART IV: CASE STUDIES: COPING WITH LEGAL, SOCIAL AND TECHNICAL CHANGE
-
PART V: CROSS-SECTOR ISSUES
-
PART VI: FORESIGHTING
