The introduction defines political/democratic innovation as the capacity of government to express political will and civil society inputs in several formats. Usually, these inputs are linked to the introduction and/or implementation of public policies, through which civil society and the state interact in order to democratize the state itself. It based on this definition that different experiences of innovation will be analysed.
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Edited by Harald Bathelt, Patrick Cohendet, Sebastian Henn and Laurent Simon
Promises and Limits of Democratic Participation in Latin America
The introduction of the book discusses the state of the art of the theory of institutional innovation and discusses the main theme of the book in the following terms: because there are good reasons to promote innovation but also to stick with a democratic core of norms without which democracy itself may be endangered, the key question is: how can we learn to separate the positive from the negative elements of institutional innovation?
Harald Bathelt, Patrick Cohendet, Sebastian Henn and Laurent Simon
This chapter provides an overview of major challenges and open questions in the field of innovation research. Eight areas of enquiry are identified that each correspond with one of the parts of the edited volume. The chapter begins by discussing the notion of innovation as a concept and then highlights the interrelationship between innovation and institutions, as well as the interdependence of innovation and creativity. This is followed by three parts that target innovation as a social process: innovation, networking and communities; innovation in permanent spatial settings; and innovation in temporary and virtual settings. Finally, the relationships between innovation, entrepreneurship and market making and wider issues regarding the governance and management of innovation are discussed, followed by some remarks about the unique characteristics of the edited volume.
Edited by Johanna Gibson
Photographs of cultural collections are an essential means of disseminating art and democratizing access to culture. This article reviews the policies of five major Australian galleries on access to their collections. It finds they tend to claim copyright in photographs of their collections, including of public domain works. This reflects a perceived entitlement to control access to their digital collections, often bolstered by a misstatement of copyright exceptions, restrictive quasi-copyright contract terms, licensing practices, and physical property rights in photography's appurtenances. This curbs the emancipatory potential of digitization, generating a conflict between the property interests of cultural institutions and the public interest in enhanced access to culture. The problem is particularly acute with respect to images of public domain art, exclusive control over which diminishes the public domain. This article considers the novel question of whether copyright subsists in photographs of two-dimensional art under Australian law, arguing that such photographs lack the originality indispensable to copyright subsistence. This conclusion significantly undermines cultural institutions’ licensing models and challenges misconceptions of property rights in the photographic surrogates of two-dimensional cultural objects. The article urges cultural institutions to liberate the digital surrogates of public domain art to enhance access to cultural capital.
The Economics of an Emergent System Property
This chapter highlights the limits of current approaches to the economics of innovation. It also stresses their role in articulating a theory of innovation as an endogenous process that relies upon the characteristics of the system in which the response of firms to unexpected mismatches in both labour and factor markets takes place. The role of Marshallian contributions to Schumpeterian thinking is stressed.
Edited by Anja R. Lahikainen, Tiina Mälkiä and Katja Repo
Law and Practice
Certification and collective marks are special forms of trademarks that ab initio are for the use of multiple sources, subject to the proprietor’s authorization. These marks engender particular issues of law and policy that are related to but distinct from the law and policy of ordinary (or ‘individual’) trademarks. A certification mark indicates that certain characteristics of the marked goods or services conform to particular standards. Collective marks attest primarily to membership of the individual source of the marked goods or services in a particular association such as a trade association. The ensuing chapters explore the historical development of both these types of marks, the connections between them, pertinent trademark law and practice, certifiers’ and membership associations’ liability, legal and commercial significance, use in regulatory and technical standardization frameworks, and emergent sui generis forms of certification, namely ecolabels and electronic authentication marks in digital content. Key words: certification mark; collective mark; law; policy
Anja Riitta Lahikainen, Tiina Mälkiä and Katja Repo
The introductory chapter outlines the contents of the volume. The first part of the book maps contemporary family life and child socialization by providing new methodological, theoretical and time-use reflections on media use and media-related child–parent interaction. In addition, it discusses conversation analysis as a method for depicting the complexity of family interaction. This first part utilizes time-use surveys as well as recent theoretical and methodological discussions. The second part of the book reaches into the private zone of family interaction, and provides the reader with detailed interactional analyses of everyday life with media devices. Detailed case studies of various forms of media-related family interaction contribute to understanding new forms of family time, and conflict situations.