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This comprehensive Handbook brings together practical advice from leading international practitioners in sustainable tourism. This guidance is not designed as a guide for long-term academic projects, but instead applies good research design principles within the parameters of modest timeframes and resources, to provide workable and rational step-by-step approaches to researching real-life challenges. The book’s contributors unpack how to undertake environmental, socio-cultural and economic assessments that establish the feasibility for new tourism ventures, or ascertain what impacts they have had over time. The book covers fundamentals for practitioners, such as how to conduct feasibility studies and business plans, and also addresses hot topics such as visitor management and overcrowding. The processes of transferring knowledge from academic research into practical applications are also addressed. This Handbook is critical for researchers at all levels, and particularly to those working within government institutions responsible for tourism and private tourism businesses. It is also an invaluable resource for practitioners, not-for-profit organizations and consultants that provide technical support in the planning, feasibility, development, operation and evaluation of sustainable tourism.
This chapter sketches the contours of a methodological attitude aimed to explore the spatiality and materiality of law by taking abstraction seriously and using abstraction strategically. This is done through five steps. First, I briefly account for the impact that the spatial and subsequent (affective, material, post-human) turns in social sciences and humanities had on the notion of the social. Second, I draw the relative consequences vis-à-vis the law, by introducing the notion of spatiolegal. Third, I describe the way in which within the legal system, as well as legal thinking more generally, space has been systematically misunderstood. I especially focus on the case of socio-legal and critical legal approaches, highlighting how beneath their misunderstandings they betray a common incapacity to overcome the separation between law and space, thus reaffirming under another guise the opposition between the abstract and the concrete. Fourth, I tackle this question by integrating insights on the ‘real’, ‘concrete’ and ‘productive’ quality of abstractions, coming from Karl Marx, Peter Goodrich, Gilles Deleuze and Felix Guattari. Along these four sections, the strategic significance of re-evaluating the notion of abstraction becomes gradually apparent, both in the political and methodological sense. Therefore, fifth, I conclude by distilling the discussion hitherto developed, and operationalise it through an empirical example. In this way I am able to show the methodological approach developed in this chapter at work, as well as to provide a minimal testing ground for assessing its usefulness.
In recent years, actor-network theory (ANT), and the work of Bruno Latour in particular, have gained significant interest amongst legal scholars. This approach, derived from Science and Technology Studies (STS) and bearing various links with anthropology and ethnographic methods, has enabled new insights to emerge in relation to the ways in which law operates in everyday practices. The innovative position the approach suggests has been largely based on the breaking down of the dichotomy between nature and society, humans and non-humans, and in turn on an emphasis on the importance of materiality in social practices (and its complexity). In his early work, Bruno Latour therefore laid out the foundations of what was to become a radical rethink of sociological assumptions, by challenging the extent to which humanity can ever be imagined as being fundamentally separate from nature. Consequently, he argued that some of the most fundamental assumptions of modernity, about how knowledge is made, societies are built, and humans can relate to their environment, are mistaken and in need of revisiting. Given its deep engagement with our relationship with nature, and its grounding in the sociology of science, it is somehow surprising that ANT has not been more frequently explored in environmental law – in spite of a few examples. However, more resources are available to those wanting to imagine what an ‘ANT approach to environmental law’ may look like, if engaging with STS and the anthropology of science literature that has in recent years aimed to unpack some of the legal stories that surround environmental practices. In this chapter, I seek to bring together some of this scholarship to reflect on what ANT can bring to environmental law research. The chapter is illustrated specifically with the example of the use of natural resources for industrial purposes, and the long-standing debates on ‘biopiracy’ that have animated much legal debate since the 1990s. Through this example, I retrace the difficulty for modern environmental law to engage with practices that challenge the boundaries between nature and humanity, and the dichotomies on which law has so far operated. I explore how studies that have embraced some of the more radical claims of ANT and STS, and engaged ethnographic analyses of social practices, have illustrated how law often fails to seize the messiness of the entanglement of nature and society. I conclude by discussing how ANT, and the work of Bruno Latour, can be used more broadly by environmental lawyers seeking to reimagine the ways in which law relates to nature.
The text sketches out a methodology of ‘flat ecology’ for rethinking and reworking the present apparatuses of power – political, economic and legal – that engage in performing backgrounding of other-than-human bodies. By diffracting the concepts of assemblage and apparatus through epistemologies of feminist science scholars Karen Barad and Donna Haraway and ontologies of Deleuze and Guattari, and Object-Oriented philosophers, I formulate the concept of ‘minoritarian apparatus’ as a theoretico-practical tool towards seeking posthuman environmental justice. The second part of the text traces the methodology and proceedings of my collaborative performance all that is air melts into city (2014). The site-specific intermedia project creatively re(con)figured the apparatus of European Union Emissions Trading Scheme as a ‘minoritarian apparatus’, a posthuman ecology of difference that affords more just possibilities for meaning-mattering of extra-human bodies.