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Chapter 1: Introduction
Michael Keane
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Category:
Handbook Chapter
Published:
27 May 2016
Page Range:
1–12
Collection:
Social and Political Science 2016
DOI:
https://doi.org/10.4337/9781782549864.00009
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PDF
Handbook of Cultural and Creative Industries in China
Edited by
Michael Keane
Handbook
Published:
27 May 2016
Print ISBN:
9781782549857
eISBN:
9781782549864
DOI:
https://doi.org/10.4337/9781782549864
Pages:
c 576
Collection:
Social and Political Science 2016
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Table of Contents
Front Matter
Copyright
Contents
Figures
Tables
Contributors
Foreword
Acknowledgements
Chapter 1: Introduction
PART I: The Cultural and Creative Industries Reconsidered
Chapter 2: Doing Chinese cultural industries: a reflection on the Blue Book syndrome and remedy paradigm
Chapter 3: The ten thousand things, the Chinese Dream and the creative cultural industries
Chapter 4: The makers are coming! China’s long tail revolution
Chapter 5: Balinghou and qilinghou: generational difference and creativity in China
Chapter 6: The artyficial paradise: municipal face-work in a Chinese boomtown
PART II: Advice to Government, Ideology and Future Chalenges Facing the Cultural Industries in China
Chapter 7: Editor’s introduction
Chapter 8: The cultural industries in China: a historical overview
Chapter 9: The challenges of China’s culture ‘going to the world’
Chapter 10: Chinese culture ‘going out’: an overview of government policies and an analysis of challenges and opportunities for international collaboration
Chapter 11: Ethnic cultural industries and the ‘one place, one product’ strategy
Chapter 12: Globalization and ethnic grounded cultural creativity in Yunnan
Chapter 13: Cultural organizations in China: creating digital platforms for success
PART III: Traditional Cultural and Creative Industry Sectors in Flux
Chapter 14: Editor’s introduction
Chapter 15: The cultural governance of mass media in contemporary China
Chapter 16: The regionalization of co-production in the film industries of Hong Kong SAR and Mainland China
Chapter 17: Chinese transnational cinema and the collaborative tilt toward South Korea
Chapter 18: Chinese documentary: towards commercialization
Chapter 19: The urban-rural divide in China’s cultural industries: the case of Chinese radio
Chapter 20: Animation industry in China: managed creativity or state discourse?
Chapter 21: From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry
Chapter 22: China’s self-help industry: American(ized) life advice in China
PART IV: Asesing Digital Lives, Constructing Creative Futures
Chapter 23: Editor’s introduction
Chapter 24: Copyright in China’s digital cultural industries
Chapter 25: Commercial and digital transformation of Chinese television
Chapter 26: Between sustaining and disruptive innovation: China’s digital publishing industry in the age of mobile Internet
Chapter 27: Getting connected in China: taming the mobile screen
Chapter 28: The e-commerce revolution: ensuring trust and consumer rights in China
Chapter 29: Elderly people and the Internet: a demographic reconsideration
PART V: Recalibrating Space, Tradition and Regional Identity
Chapter 30: Editor’s introduction
Chapter 31: Between contemporary and traditional: the ongoing search for a Chinese architectural identity
Chapter 32: Chinese fashion designers: rebuilding from the centre of the world
Chapter 33: Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries
Chapter 34: Who is the knowledge gatekeeper in the creative cluster? A case study of Guangdong Industrial Design City
Chapter 35: A comparative perspective on the industrialization of art in the Republican period in Shanghai and today’s creative industry clusters
Index
Subjects
Business and Management
Asia Business
Sociology and Social Policy
Sociology and Sociological Theory
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