Edited by Ilde Rizzo and Anna Mignosa
Chapter 30: Policy for intangible cultural heritage in Japan: how it relates to creativity
Cultural Heritage has three categories: tangible (movable and immovable) and intangible heritage. Intangible heritage is relatively new as international policy but has existed in national policy in some countries. The UNESCO convention of intangible cultural heritage was adopted in 2003. It corresponded to the increasing interest in cultural diversity. It is assumed that intangible cultural heritage is important for identity and cultural diversity, which guarantee sustainable development (Kono, 2009). However, the concept of intangible cultural heritage can be difficult to pin down and the definition of cultural heritage varies from country to country. The convention defines it as the practices, representations, expressions, knowledge, skills – as well as the instruments, objects, artifacts and cultural spaces associated therewith – that communities, groups and, in some cases, individuals recognize as a part of their cultural heritage. Therefore, how to elaborate inventories of intangible cultural heritage, and how to define communities who hold intangible cultural heritage are still unsolved questions. Moreover, it is difficult to apply intellectual property rights to intangible cultural heritage (Kono, 2009).
You are not authenticated to view the full text of this chapter or article.
Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.
Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.
Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.