Handbook of Research on Creativity
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Handbook of Research on Creativity

  • Elgar original reference

Edited by Kerry Thomas and Janet Chan

In this timely work, creativity is not defined by an ideal, rather it encompasses a range of theories, functions, characteristics, processes, products and practices that are associated with the generation of novel and useful outcomes suited to particular social, cultural and political contexts. Chapters present original research by international scholars from a wide range of disciplines including history, sociology, psychology, philosophy, cultural studies, education, economics and interdisciplinary studies. Their research investigates creativity in diverse fields including art, creative industries, aesthetics, design, new media, music, arts education, science, engineering and technology.
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Chapter 12: The lived experience of a contemporary creative identification

Stephanie Taylor

Extract

Recent academic writing on the creative and cultural industries has conferred a new importance on creativity and, by extension, drawn attention to the different ways in which it has been theorized. This chapter discusses the multiple meanings and associations which creativity carries for workers themselves, based on findings from recent research with current and former art college students in London, one of the cities identified as a ‘creative hub’ in the international upsurge of activity associated with the contemporary creative industries. The first section discusses the conceptions of creativity which are invoked in accounts of the sector of the cultural and creative industries. These are compared to discussions of creativity in other academic traditions, including different areas of psychology.

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