Handbook on the Digital Creative Economy
Show Less

Handbook on the Digital Creative Economy

  • Elgar original reference

Edited by Ruth Towse and Christian Handke

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.
Buy Book in Print
Show Summary Details

Chapter 34: Digital music

Patrick Waelbroeck

Extract

The music industry is facing the development of online peer-to-peer (P2P) networks, direct download services and other forms of digital piracy, while at the same time the format and promotion of pre-recorded music are undergoing major transformations with the advent of MP3 and new forms of collective promotion, particularly through online communities and social networks. This chapter analyzes the main effects of digital distribution on demand and supply in the music sector and draws their implications for copyright policies and new business models. In a related work, Waldfogel (2012a) compares the digital music transition to what happened to travel agencies facing Internet intermediaries such as Expedia or Orbitz. Traditional travel agencies have gradually disappeared, but one can hardly argue that this is a social loss, because Internet intermediaries are more cost efficient and can propose better and customized offers. It is therefore not socially optimal to prevent this digital transition, because new digital distribution channels allow consumers to listen to music in new ways but also because digital music increases the long tail of electronic commerce by increasing the variety of titles available online. While the pre-recorded music industry was the first to experience the challenges of digital distribution, other cultural industries such as the movies and book industries are currently facing the same challenges. In this chapter, I will review how the transition to digital music is affecting both demand and supply.

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.


Further information

or login to access all content.