Chapter 5: Uneasy bedfellows: comic art creators and publishers – how comic art publishing contracts shape the creation of comic art
Perhaps one of the reasons comic art is often viewed as a ‘low’ form of art is that its creation is, in virtually all instances, intended as a commercial art form, generally reproduced on poor-quality newspaper, or published in inexpensive soft cover magazines (the aforementioned ‘floppies’). The comic book creators, both writers and artists, primarily are compensated by publishers, and the terms of their relationship with the publishers are governed by written contracts. The terms of these publishing agreements are affected by an array of different considerations, and the priorities, concerns and needs of the two involved stakeholders, the creators and the publishers, are often not in sync. Chief among those considerations are the impact of contract law, business and industry standards, and the relative bargaining power of the parties (an additional involved legal doctrine, copyright law, is discussed in Chapter 6, infra.) The history of comic art publishing contracts is marked by an interesting mélange of consistency in terms, as well as dramatic changes in terms.
You are not authenticated to view the full text of this chapter or article.
Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.
Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.
Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.