Capitalizing on Creativity at Work
Show Less

Capitalizing on Creativity at Work

Fostering the Implementation of Creative Ideas in Organizations

Edited by Miha Škerlavaj, Matej Černe, Anders Dysvik and Arne Carlsen

How does one implement highly creative ideas in the workplace? Though creativity fuels modern businesses and organizations, imaginative ideas are less likely to be implemented than moderate ones. The crux of this issue is explored as contributors present and analyze remedies for capitalizing on highly creative ideas.
Buy Book in Print
Show Summary Details
You do not have access to this content

Chapter 12: Creativity that works: implementing discovery

Arne Carlsen and Liisa Välikangas


Upon returning from California to Finland in 2008, one of the authors was struck by the different attitude towards ideas at the two sets of industrial culture. In Silicon Valley, ideas were about the exploration of the new. The stranger the idea, the more opportunities it gave for thinking about what could be. In Finland, ideas were strictly about implementation. Indeed, upon voicing an idea, one was very soon charged with its execution. Not proceeding to such implementation meant personal failure. These two attitudes at two sites across the Atlantic illustrate very different assumptions toward what ideas are and how one can capitalize on creativity in organizations. In this chapter we challenge implicit assumptions with regard to ideas as discrete, stable entities to be implemented in processes subsequent to and clearly separated from their generation. We differentiate between an orthodox view where implementation is a matter of execution and a more enlightened view where implementation is best understood as a process of discovery. The orthodox view of creativity carries implicit assumptions of discreteness and reification of ideas. It implies a linear sequence to creative work and an atomistic view of the decisions of actors. We discuss why these assumptions are both theoretically flawed and impractical (or ineffective) and present tenets of a strong process-based view on creativity.

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.

Further information

or login to access all content.