Show Less
You do not have access to this content

Reconciling Copyright with Cumulative Creativity

The Third Paradigm

Giancarlo Frosio

Reconciling Copyright with Cumulative Creativity: The Third Paradigm examines the long history of creativity, from cave art to digital remix, in order to demonstrate a consistent disparity between the traditional cumulative mechanics of creativity and modern copyright policies. Giancarlo Frosio calls for the return of creativity to an inclusive process, so that the first (pre-modern imitative and collaborative model) and second (post-Romantic copyright model) creative paradigms can be reconciled into an emerging third paradigm which would be seen as a networked peer and user-based collaborative model.
Show Summary Details
You do not have access to this content

Chapter 6: Imprisoned characters and ‘feared’ uses

Giancarlo Frosio


Where probing the tension between copyright law, freedom of expression, and competition in the marketplace of ideas leads to the issue of unequal standing between copyright holders and the public, which was brought about by aggressive litigation practices that misused copyright law. An overreaching copyright culture may translate into the ability of copyright law to suppress transformative reuse. In fact, strong copyright protection for derivative use runs counter to the traditional mechanics of human creativity. Throughout history, the highest forms of creative works spread from the stratification of creativity. Today, by contrast, transformative use, characters and cultural icons are locked into the dungeons of copyright law. This prevents the cumulative development of pop culture that proved so fruitful in the oral-formulaic tradition, epic and romance literature, and the construction of most human art and culture. Extreme protection of derivative works – and a shrinking fair use doctrine – seems to turn transformative uses into a nuisance for society, rather than an opportunity.

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.

Further information

or login to access all content.