Entrepreneurship and the Creative Economy
Show Less

Entrepreneurship and the Creative Economy Process, Practice and Policy

Process, Practice and Policy

Edited by Colette Henry and Anne de Bruin

Entrepreneurship and the Creative Economy contains a range of theoretical and empirically based research contributions that collectively consider and debate the process, policy and practice of the creative economy.
Buy Book in Print
Show Summary Details
You do not have access to this content

Chapter 3: Socializing Creativity: Entrepreneurship and Innovation in the Creative Industries

Calvin Taylor

Extract

3. Socializing creativity: entrepreneurship and innovation in the creative industries Calvin Taylor INTRODUCTION Accounts of the growth and development of the creative industries have increasingly emphasized the social nature of their typical forms of entrepreneurship and innovation. This not only distinguishes them from other industrial sectors but also locates them theoretically and conceptually within wider notions of the ‘associational economy’ (Cooke and Morgan, 1999). This emphasis is made in a wide range of academic literatures, reflecting a growing interest in relationality and sociality: for example, in entrepreneurship studies (the role of social interaction in the formation of trust and the management of risk); in management and organizational studies (the role of social interaction in constructing knowledge and learning organizations); in regional studies (the role of proximity and clustering in the promotion of innovation); and in social geography (the role of social interaction in constructions of place and locale). The practical consequence of this insight can be readily detected in the wealth of creative industries business support initiatives that are based on it, for example networking activities, web-resources based on social networking principles, mentoring and leadership development initiatives and contract brokerage which in turn are a product of a tendency, especially apparent in UK policy discourse, to locate the creative industries within the national innovation system as a resource capable of delivering competitive advantage (Work Foundation and NESTA, 2007; DCMS, 2008a). Analysis has, however, moved beyond the systems approach to examine the specific social conditions necessary for the promotion of creativity...

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.


Further information

or login to access all content.