- Elgar original reference
Edited by Ruth Towse
Anders Henten and Reza Tadayoni The aim of this chapter is to describe the digitalization of the cultural industries from a technology perspective by providing an overview of the processes of digitalization and the use of digital technologies in those industries. The technology focus, however, does not imply any technology determinism. We do not intend to discuss any basic cause-and-effect issues. But it can easily be established as a fact that new technological possibilities will be used by industries and society at large if they fit the workings of these entities. And digital technologies have certainly ‘fitted the workings’ of large segments of the cultural industries and have had, and continue to have, huge implications for the developments of these industries. Sometimes changes come fast and in other cases implications of technology change and use take much longer than expected. The digitalization of information and communication technologies (ICTs) has been used in the processes of transformation of almost all industries and areas of life. ICTs are pervasive technologies. There is, however, a special affinity between ICTs and large segments of the cultural industries. The obvious reason is that the cultural industries are concerned with communications and that ICTs are communication technologies. There are clearly differences between different parts of the cultural industries. The art of painting is not much affected, apart from the advertisement of exhibitions and the selling of paintings, although admittedly digital technologies are increasingly used in creating works of art. The same applies to the theatre. However,...
You are not authenticated to view the full text of this chapter or article.
Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.
Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.
Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.