Handbook of Islamic Marketing
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Handbook of Islamic Marketing

  • Elgar original reference

Edited by Özlem Sandıkcı and Gillian Rice

The Handbook of Islamic Marketing provides state-of-the-art scholarship on the intersection of Islam, consumption and marketing and lays out an agenda for future research. The topics covered by eminent contributors from around the world range from fashion and food consumption practices of Muslims to retailing, digital marketing, advertising, corporate social responsibility and nation branding in the context of Muslim marketplaces. The essays offer new insights into the relationship between morality, consumption and marketing practices and discuss the implications of politics and globalization for Islamic markets.
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Chapter 22: Cultural Diplomacy and the United Arab Emirates: The Emergence of a Sovereign Wealth Fund Nation on the International Art World Stage

Rula Al-Abdulrazak and Derrick Chong

Extract

22 Cultural diplomacy and the United Arab Emirates: the emergence of a sovereign wealth fund nation on the international art world stage Rula Al-Abdulrazak and Derrick Chong INTRODUCTION Writing in Foreign Affairs, Peter van Ham (2001) discusses the ‘rise of the brand state’ as indicative of the current climate of international relations marked by ‘the postmodern politics of image and reputation’. French philosopher Nicolas Bourriaud (2009) uses the term altermodern as the title for the exhibition he curated for the Tate Triennial 2009: ‘A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture’ (emphasis in the original). In some respects one detects the influences of both Edward Soja (1989) and Fredric Jameson. Jameson (1990) articulated a reading of postmodernism as the cultural representation of multinational or finance capital. This (cultural) logic of late capitalism – with reference to Ernest Mandel’s third phase of capitalism – views postmodernity as a world of mesmerizing surfaces, seductively addictive, but depthless. As a pioneering human geographer, Soja (1989) sought to reassert the significance of space – not least of all cultural spaces in flux – in critical social theory. One might cite so-called sovereign wealth fund (SWF) countries1 – representing globalized and totalizing spaces of the new world system – as an example of Bourriaud’s altermodernity that is consistent with Jameson’s view of multinational capital and Soja’s examination of why and how societies use space for social purposes. Viewed as a new form of competitive capitalism certain countries...

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