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Handbook of Cultural and Creative Industries in China
Edited by Michael Keane
China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China’s move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China’s cultural and creative industries as well as the challenges ahead.
The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals.
Handbook
- Published in print:
- 27 May 2016
- ISBN:
- 9781782549857
- eISBN:
- 9781782549864
- Pages:
- c 576
Show Summary Details
- Handbook of Cultural and Creative Industries in China
- Copyright
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- Chapter 1: Introduction
- Chapter 2: Doing Chinese cultural industries: a reflection on the Blue Book syndrome and remedy paradigm
- Chapter 3: The ten thousand things, the Chinese Dream and the creative cultural industries
- Chapter 4: The makers are coming! China’s long tail revolution
- Chapter 5: Balinghou and qilinghou: generational difference and creativity in China
- Chapter 6: The artyficial paradise: municipal face-work in a Chinese boomtown
- Chapter 7: Editor’s introduction
- Chapter 8: The cultural industries in China: a historical overview
- Chapter 9: The challenges of China’s culture ‘going to the world’
- Chapter 10: Chinese culture ‘going out’: an overview of government policies and an analysis of challenges and opportunities for international collaboration
- Chapter 11: Ethnic cultural industries and the ‘one place, one product’ strategy
- Chapter 12: Globalization and ethnic grounded cultural creativity in Yunnan
- Chapter 13: Cultural organizations in China: creating digital platforms for success
- Chapter 14: Editor’s introduction
- Chapter 15: The cultural governance of mass media in contemporary China
- Chapter 16: The regionalization of co-production in the film industries of Hong Kong SAR and Mainland China
- Chapter 17: Chinese transnational cinema and the collaborative tilt toward South Korea
- Chapter 18: Chinese documentary: towards commercialization
- Chapter 19: The urban-rural divide in China’s cultural industries: the case of Chinese radio
- Chapter 20: Animation industry in China: managed creativity or state discourse?
- Chapter 21: From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry
- Chapter 22: China’s self-help industry: American(ized) life advice in China
- Chapter 23: Editor’s introduction
- Chapter 24: Copyright in China’s digital cultural industries
- Chapter 25: Commercial and digital transformation of Chinese television
- Chapter 26: Between sustaining and disruptive innovation: China’s digital publishing industry in the age of mobile Internet
- Chapter 27: Getting connected in China: taming the mobile screen
- Chapter 28: The e-commerce revolution: ensuring trust and consumer rights in China
- Chapter 29: Elderly people and the Internet: a demographic reconsideration
- Chapter 30: Editor’s introduction
- Chapter 31: Between contemporary and traditional: the ongoing search for a Chinese architectural identity
- Chapter 32: Chinese fashion designers: rebuilding from the centre of the world
- Chapter 33: Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries
- Chapter 34: Who is the knowledge gatekeeper in the creative cluster? A case study of Guangdong Industrial Design City
- Chapter 35: A comparative perspective on the industrialization of art in the Republican period in Shanghai and today’s creative industry clusters
- Index
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Acknowledgements
Handbook Chapter
- Published:
- 27 May 2016
- Category:
- Handbook Chapter
- Pages:
- xx (1 total)
Collection:
Social and Political Science 2016
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- Handbook of Cultural and Creative Industries in China
- Copyright
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- Chapter 1: Introduction
- Chapter 2: Doing Chinese cultural industries: a reflection on the Blue Book syndrome and remedy paradigm
- Chapter 3: The ten thousand things, the Chinese Dream and the creative cultural industries
- Chapter 4: The makers are coming! China’s long tail revolution
- Chapter 5: Balinghou and qilinghou: generational difference and creativity in China
- Chapter 6: The artyficial paradise: municipal face-work in a Chinese boomtown
- Chapter 7: Editor’s introduction
- Chapter 8: The cultural industries in China: a historical overview
- Chapter 9: The challenges of China’s culture ‘going to the world’
- Chapter 10: Chinese culture ‘going out’: an overview of government policies and an analysis of challenges and opportunities for international collaboration
- Chapter 11: Ethnic cultural industries and the ‘one place, one product’ strategy
- Chapter 12: Globalization and ethnic grounded cultural creativity in Yunnan
- Chapter 13: Cultural organizations in China: creating digital platforms for success
- Chapter 14: Editor’s introduction
- Chapter 15: The cultural governance of mass media in contemporary China
- Chapter 16: The regionalization of co-production in the film industries of Hong Kong SAR and Mainland China
- Chapter 17: Chinese transnational cinema and the collaborative tilt toward South Korea
- Chapter 18: Chinese documentary: towards commercialization
- Chapter 19: The urban-rural divide in China’s cultural industries: the case of Chinese radio
- Chapter 20: Animation industry in China: managed creativity or state discourse?
- Chapter 21: From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry
- Chapter 22: China’s self-help industry: American(ized) life advice in China
- Chapter 23: Editor’s introduction
- Chapter 24: Copyright in China’s digital cultural industries
- Chapter 25: Commercial and digital transformation of Chinese television
- Chapter 26: Between sustaining and disruptive innovation: China’s digital publishing industry in the age of mobile Internet
- Chapter 27: Getting connected in China: taming the mobile screen
- Chapter 28: The e-commerce revolution: ensuring trust and consumer rights in China
- Chapter 29: Elderly people and the Internet: a demographic reconsideration
- Chapter 30: Editor’s introduction
- Chapter 31: Between contemporary and traditional: the ongoing search for a Chinese architectural identity
- Chapter 32: Chinese fashion designers: rebuilding from the centre of the world
- Chapter 33: Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries
- Chapter 34: Who is the knowledge gatekeeper in the creative cluster? A case study of Guangdong Industrial Design City
- Chapter 35: A comparative perspective on the industrialization of art in the Republican period in Shanghai and today’s creative industry clusters
- Index