From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry

Qian Wang; Jeroen de Kloet

Jump to Content Jump to Main Navigation

Chapter 21: From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry

Qian Wang and Jeroen de Kloet

Restricted access

Category:: Handbook Chapter

Published:: 27 May 2016

Page Range:: 293–310

Collection:: Social and Political Science 2016

Restricted access

21. From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry Qian Wang and Jeroen de Kloet Mainland China is becoming more important as a source of artists and repertoire for us. I think that in com...

You are not authenticated to view the full text of this chapter or article.

Access options

Get access to the full article by using one of the access options below.

Other access options

Redeem Token

Institutional Login

Personal login

Handbook of Cultural and Creative Industries in China

Edited by Michael Keane

Handbook

Published:: 27 May 2016

Print ISBN:: 9781782549857

eISBN:: 9781782549864

DOI:: https://doi.org/10.4337/9781782549864

Pages:: c 576

Collection:: Social and Political Science 2016

Buy Print

Subjects
- Business and Management
  - Asia Business
- Sociology and Social Policy
  - Sociology and Sociological Theory

Share Link

Copy this link, or click below to email it to a friend

Email this content

or copy the link directly:

https://www.elgaronline.com/view/edcoll/9781782549857/9781782549857.00032.xml

Link copied successfully

Privacy & Cookies Policy

Terms & Conditions

Credits

Technical Support

Accessibility

Connect with us:

Table of Contents

Share Link