Edited by Abbe E.L. Brown and Charlotte Waelde
Chapter 6: Intellectual property and creative industries policy in the UK
This chapter charts the relationship between intellectual property (IP) policy and the Creative Industries discourse, first promulgated by New Labour in the 1990s. Two main critiques of the creative industries concept relate to: (1) the boundaries of its definition; and (2) the precise role of IP as an economic driver for diverse industries comprised of many different activities. Copyright protection was initially strongly linked to the growth of the creative industries as a bulwark against illegal copying. Empirical research, primarily from law and economics, has led to re-examination of copyright’s role as a creative incentive. The relationship between IP and creative industries activity has also gained additional complexity with digitalisation. The policy landscape is now occupied by diverse stakeholders with different perspectives on the appropriate balance for copyright protection, for example, to enable new kinds of digital follow-on creativity.
You are not authenticated to view the full text of this chapter or article.
Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.
Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.
Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.