Show Less
You do not have access to this content


A Commentary


This significantly revised and updated second edition addresses the rapid development of EU copyright law in relation to the advancement of new technologies, the need for a borderless digital market and the considerable number of EU legal instruments enacted as a result. Taking a comparative approach, the Commentary provides comprehensive coverage and in-depth commentary on each of the EU legal instruments and policies, both from an EU and an international perspective. Alongside full legislative analysis and article-by-article commentary, the Commentary illustrates the underlying basic principles of free movement and non-discrimination and provides insights into the influence of copyright on other areas of EU policy, including telecoms and bilateral trade agreements.
Show Summary Details
You do not have access to this content


Gillian Davies and Updated by Bernd Justin Jütte


So far as matters upon which the European Union (EU) has legislated are concerned, the Commission claims competence to represent the views of the Member States in international fora. Thus, in the light of the acquis communautaire in the field of copyright and related rights established by the twelve Directives and two Regulations adopted to date on various aspects of these rights, the EU has for some years played an active role in multilateral external relations on the subject of copyright and related rights. The acquis communautaire in this context embraces the general principles of the EU Treaties and legislation, including the Directive and Regulations on copyright and related rights, as interpreted by the Court of Justice. In intergovernmental meetings, the spokesman for the Union is normally a representative of the Commission, speaking on behalf of the Union and its Member States. Sometimes, the spokesman is the head of the delegation of the Member State which at the time occupies the rotating Presidency of the Union. The EU first took a leading role in the negotiations which led to the adoption of the Agreement on Trade-Related Aspects of Intellectual Property Rights (the TRIPs Agreement) in 1994 but subsequently has claimed competence to represent the Member States of the Union in intergovernmental meetings on copyright and related rights convened by the World Intellectual Property Organization (WIPO). WIPO administers inter alia the Berne Convention for the Protection of Literary and Artistic Works (the Berne Convention), the Rome Convention for the Protection of Performers.

You are not authenticated to view the full text of this chapter or article.

Elgaronline requires a subscription or purchase to access the full text of books or journals. Please login through your library system or with your personal username and password on the homepage.

Non-subscribers can freely search the site, view abstracts/ extracts and download selected front matter and introductory chapters for personal use.

Your library may not have purchased all subject areas. If you are authenticated and think you should have access to this title, please contact your librarian.

Further information

or login to access all content.