Sounding Places
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Sounding Places

More-Than-Representational Geographies of Sound and Music

Edited by Karolina Doughty, Michelle Duffy and Theresa Harada

This edited collection examines the more-than-representational registers of sound. It asks how sound comes to be a meaningful ingredient in the microgeographies of place-making through the workings of affect, emotion, and atmosphere, how sound contributes to shaping a variety of embodied and spatially situated experiences, and how such aspects can be harnessed methodologically. These topics contribute to broader debates on the relations between representation and the non- or more-than-representational that are taking place across the social sciences and humanities in the wake of the cultural turn. More specifically, the book contributes to the fertile theoretical intersections of sound, affect, emotion, and atmosphere.
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Chapter 15: Rethinking musical cosmopolitanism as a visceral politics of sound

Karolina Doughty

Abstract

This chapter is about musical interventions in public space and their role in the visceral politics of collective life. The ubiquitous presence of music across the spaces and situations of everyday life makes it a fruitful terrain for exploring the constitution, maintenance and regulation of the nature of social situations. The chapter draws on the ongoing conceptualization of a ‘musical cosmopolitanism’ which has been debated considerably across the field of musicology, and puts it in relation with work in human geography which has engaged with music and sound from the perspective of Non-Representational Theory. This results in a rethinking of cosmopolitanism in relation to sound and music, which understands the political potential of music as realized within the mundane goings-on of everyday spaces through the concept of visceral politics, as one way that music might matter in the transformation of social situations.

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